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[old is gold] > intro | project | materials | interview |
FUTURE PAST -----------------------------------------------------------------------------------------------
THE CONTEXT Sesto San Giovanni was once one of the major industrial conurbations of the 20th Century, home to numerous factories, radical political movements and a hive of trades union activity. The speed and the extent of the changes wrought in Sesto’s urban and social fabric in under one short century were quite breathtaking: from a sleepy farming community with a sprinkling of the country houses of the Milan aristocracy, it became one of Europe’s most productive industrial hubs and a subsequently a booming centre for the high-end service sector. This dramatic series of transformations makes it almost unique among what was indeed a century of change for Europe and Italy.
Taking the Falk steelworks site as an example... Some 1.3 million square metres. Once it had been decommissioned the weeds took over, then a few years ago it was acquired by Luigi Zunino’s redevelopment finance company Risanamento. The work for the project was commissioned from Renzo Piano and the erstwhile steel works will become a populated garden, bursting with exuberant new life. It will be the ‘city of factories’ and the ‘factory of ideas’. All its energy needs will be met from green, renewable sources, from heating produced by solar panels to public transport in “elfi”, hydrogen-powered minibuses, a project in the capable hands of Carlo Rubbia. Sesto has been moving in this direction for some time... In the area once occupied by Ercole and Magneti Marelli, Sesto now boasts a brand new, state-of-the-art office complex in which leading companies such as Oracle, Wind and others have installed themselves. One of the most interesting buildings from the architectural point of view is the Blue Building, home to the head office of ABB, the world-famous engineering group with a commitment to the exploitation of sustainable energy sources. The building is a “blue wave”, clad in interactive glass, designed by architect Giancarlo Marzorati, conceived and built to consume 30% less energy that a conventional building.
THE PROJECT A firm commitment to sustainability is also a distinguishing feature of the project to develop the old Campari site, a design by Giancarlo Marzorati and high-profile Swiss-born architect Mario Botta. The idea behind the project was to recover this historic building and the area around it, a site with a rich legacy of memories, knowledge and manufacturing inventiveness, while keeping the executive nerve centre of the multinational in Sesto. Two residential towers complete the new service-sector complex, of respectively 13 and 9 floors, with an overall floor area of 14,000 mq. In addition to a number of different types of housing, the basement area offers residents a range of leisure services: a gym with swimming pool, a children’s play area and other spaces for social activities. Speaking of the powerfully iconic appearance of the two towers, Botti describes this in terms of their functional origin: “...it was necessary for us to work on 13 floors overall, thus rising at least three floors above the current Sesto skyline and this led us to adopt architectural solutions that would favour a more figurative image for the two towers. The decision to split the towers in half visually and particularly to make use of terracing lightens the horizontal and vertical impact and makes the buildings more pleasant to use.” For Mario Botta, the ex-industrial city limits “are the areas in which the future of our cities is in play”. Botta has undertaken urban renewal projects in the past, for example, the new home of MART (Museo di Arte Moderna di Rovereto e Trento), built to revitalise a derelict area. Moreover brickwork, and particularly terracotta, has always featured in the architectural design lexicon of the Swiss-born architect, just as it has in the history of Sesto. (see: ‘Materials’) Giancarlo Marzorati is an expert and active participant in plans to redevelop his home town and its community. An interview about this project immediately reveals the passion he brings to it: “For Sesto S. Giovanni the Campari building is much more than just another factory: it is an integral part of our history, it is something quite special... that, even from its inception, was of a different nature because the product was associated with taste and flavour, and it was known, even then, that innovative communication strategies were the road to success… creating an identity that would be impossible to imitate and to forget...” |